It has a decent ludicrousness and Mann's one-of-a-kind talent for using digital photography and naturalistic light to complicate and invigorate anonymous spaces.. As cold, precise and soulless as the diamonds that figure briefly in its plot, "The Counselor" is an extremely unpleasant piece of business.. Nobody can top Mann's urban night scenes, with their oily neon and skyscraper light grids, but for the most part this plays like Heat without the heat.. Excruciating exercise in voyeurism, provoc...
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