It wants to be a Tarantino-esque dark comedy about gun-slinging, substance-abusing lowlifes. But instead it's a convoluted, slap-happy, humorless bloodfest.. Carnahan creates a spectacle of nihilism, with a number of scenes of carnage, including a shootout in an elevator. This vision is no mere gesture, as it is for, say, Guy Ritchie.. The hyper-stylized violence isn't nearly as senseless as the narrative bits in between. And the 'twist' employs the same sleight-of-hand as The Usual Suspects.. W...
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